ERIN ALLEN
Costume Technology and Design
Current Project: Shane by Karen Zacarías, Assistant Designer,
PCPA Pacific Conservatory Theatre
Robe Volante
*Awarded Honorable Mention, SETC 2025 Costume Technology Competition
After finishing the patterning and construction of an appropriately 1720s corset, I began draping this robe volante with the front panel. Due to the amount of fabric needed, I came to the conclusion that the most efficient way to drape this piece would be in four sections: the underbodice, for support of the mass weight of the gown, the center front panel, the pleated side skirt panels, and the center back panel. The draping process was overall straightforward and involved plenty of pleating (64 in total), with curved pleats in the back which allowed for hidden darts and box pleats to allow for extra volume in the skirt. Patterning references include Janet Arnold Patterns of Fashion 1, and Norah Waugh The Cut of Women's Clothes, 1600-1930. The finished dress was made with Moiré Bengaline, and is closed using the traditional method of pinning.
























